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books

Here you can find all the books that are published within the Prince Claus Fund Library series (tag library imprint)or supported through the Fund’s applications programme. In addition, each year the Prince Claus Fund publishes an Award Book to present the Prince Claus Awards.

The Prince Claus Fund Library series

The Prince Claus Fund Library series (tag: library imprint) was launched in 1998 with the mission of publishing richly illustrated works on art and culture that are both unique and distinctive in terms of subject and social engagement. In this way, the Fund facilitated the publication of books on subjects that were never or hardly ever researched, elucidated or discussed. The books in this series are published in English or in combination with another language. The books were published in co-operation with a wide range of international publishing houses. This collection is a valuable source of unique information about international culture and development.

Supported books

Apart from the books published within the Prince Claus Fund Library series, the Fund supports other publications (tag: supported) that are considered to be of importance to the international field of Culture and Development. The Fund believes that freedom of thought and expression are essential for development and with supporting a variety of book publications the Fund seeks to contribute to independent media and quality journalism worldwide. Should you wish to ask for support please check the applications part of this website for more information.

Award Books

The Prince Claus Awards Book (tag: inhouse) is published once a year to present the Prince Claus Awards. This English-language publication contains laudations written for each of the laureates, the report of the Awards Committee and a contribution of one of the Fund’s Honorary Chairmen.

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all (149) boeken (44) publicaties (35) artikelen (13) speeches (22)

Fault Lines: Contemporary African Art and Shifting Landscape

1.7.2003 Fault Lines: Contemporary African Art and Shifting Landscape

In geological terms, fault lines reveal themselves as fractures in the earth’s surface, but they also mark a break in the continuity of the strata. Fault lines may be a sign of significant shifts, or even of impending disaster, but they also create new landscapes. Fault Lines: Contemporary African Art and Shifting Landscapes brings together contemporary artists and writers from Africa...

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Creating Spaces of Freedom: Culture in Defiance

1.7.2002 Creating Spaces of Freedom: Culture in Defiance

Creating Spaces of Freedom examines three alternative spaces of freedom: exile, margins and mass attention – in other words, giving ground, going underground and taking up the challenge in the public arena. Both written and visual essays illustrate these distinct spaces. By appearing independently of each other, text and images should be read separately.   

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Against the Wind: Politics of Iranian Cinema

1.7.2002 Against the Wind: Politics of Iranian Cinema

Against the Wind: Politics of Iranian Cinema charts the rise of contemporary Iran through the movies. Covering the Qajar period through to the Pahlavi regime and the Khatami presidency, it is a chronological examination of Iranian cinema in respect to the political, economic and social changes that have taken place in the country from 1900 to 2000. 

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Mirando al Futuro (Looking to the Future)

1.7.2002 Mirando al Futuro (Looking to the Future)

Mirando al Futuro is a summary of an event held in La Paz, Bolivia, in the year 2000, in order to generate urban strategies for the city of La Paz, involving students and professors from universities in Bolivia and professor from the Berlage Institute in The Netherlands. The text, drawings and photographs, together with the reports from guest professors, provide an overview of the dynamics of the seminars. 

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Outlet: Yogyakarta within the Contemporary Indonesian Art Scene

1.7.2001 Outlet: Yogyakarta within the Contemporary Indonesian Art Scene

The emergence of contemporary art in Indonesia was influenced in reaction to the depoliticisation of art in the mid-1960s and early 1970s. In Yogyakarta, there was a noticeable shift away from realism, with its political connotations, towards art that questioned national identity and idealism and raised sociopolitical issues.

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